DeWain Valentine (1936)


Untitled

1974

Référence : AB927

Cast Polyester Resin
42 cm x 40,5 cm x 4 cm
Non Signé
Zone Geographique : Europe

87250


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Description

DeWain Valentine is an American minimalist sculptor who was born in Fort Collins, Colorado in 1936. Often associated with the Light and Space movement in the 1960s, he is best known for his minimalist sculptures of translucent glass (such as Diamond Column in the collection of the Honolulu Museum of Art), fiberglass and cast polyester resin (such as Double Pyramid in the collection of the Honolulu Museum of Art) having slick surfaces suggestive of machine made objects. He lives and works in Gardena, California. Valentine worked in boat shops and began to make art pieces from plastic, which he tried unsuccessfully to show in New York. Attracted by the work of artists such as Larry Bell, Craig Kauffman, and Kenneth Price, which he learned about by reading the magazine Artforum, Valentine moved to Los Angeles in 1965 and had his first solo show at Ace Gallery in 1968. Influenced by the seascapes and skies of Southern California, Valentine was an early pioneer of using industrial plastics and resin to produce monumental sculptures that reflect and distort the light and space that surround them. For Valentine, a smooth surface was the whole point of the work and he did not want it to look old. While he was teaching a course in plastics technology at UCLA in 1965, he wanted to produce a polyester resin in large volumes that would not crack from curing. He began working with a chemical engineer from PPG Industries Ed Revay, and eventually they discovered the Valentine MasKast Resin in 1966. The highly stable resin allowed him and other artists to go far beyond the 50-pound limit to which they had once been restricted. In 1989, Valentine designed the Governor's Awards for the Arts, presented by the California Arts Council to artists, arts patrons and community leaders. DeWain Valentine is a key member of the Light and Space movement in Los Angeles, alongside artists Larry Bell, Craig Kauffman, and Ken Price, all of whom he admired. Valentine is distinguished in particular by his in-depth understanding of synthetic materials and his ability to transform these industrial products into artworks that reveal his fascination with light, transparency, reflection, and surface. He was an early pioneer in using industrial plastic and resin for making monolithic sculptures, though he also frequently employs glass, stone, bronze, and steel. The artist is best known for his translucent glass (such as Diamond Column in the collection of the Honolulu Museum of Art). He was an early pioneer in using industrial plastic and resin for making monolithic sculptures, though he also frequently employs glass, stone, bronze, and steel. His works are characterized by sleek surfaces, minimalist forms, translucence, and hues that shift in the light. The inspiration for many of his works comes from the sky and sea, capturing what Valentine refers to as “transparent colored space”. COLLECTIONS The Denver Art Museum, the Honolulu Museum of Art, the Louisiana State University Museum of Art (Baton Rouge, Louisiana), the Museum of Modern Art (New York), the Norton Simon Museum (Pasadena), the Nora Eccles Harrison Museum of Art (Utah State University, Logan, Utah), and the San Diego Museum of Art (San Diego, California) are among the public collections holding work by DeWain Valentine. Among the many Corporate Art Collections that have excellent examples of Valentine's work are the Atlantic Richfield Corporate Art Collection (Los Angeles & New York offices); and the Anaconda Corporation (Denver).

Provenance

Private collection.

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